An illustration of a character with a helmet on and swinging from a vine holding a bag with papers flying out of it.

This student-run event is the 33rd-annual showcase of Visualization students’ work from the past year, including a gallery exhibition of physical works and a screening of time-based works.

Maroon graphic with the Texas A&M logo and the words "Texas A&M University College of Performance, Visualization, and Fine Arts"

“Floriography” is a multidisciplinary performance featuring live music, dance, projection, robotics and interactive installations. The program includes works for violin, marimba and electronics, alongside student- and faculty-created visual and spatial designs from the College of Performance, Visualization and Fine Arts and the College of Engineering.

Maroon graphic with the Texas A&M logo and the words "Texas A&M University College of Performance, Visualization, and Fine Arts"

“Floriography” is a multidisciplinary performance featuring live music, dance, projection, robotics and interactive installations. The program includes works for violin, marimba and electronics, alongside student- and faculty-created visual and spatial designs from the College of Performance, Visualization and Fine Arts and the College of Engineering.

Maroon graphic with the Texas A&M logo and the words "Texas A&M University College of Performance, Visualization, and Fine Arts"
An illustration of a character with a helmet on and swinging from a vine holding a bag with papers flying out of it.

This student-run event is the 33rd-annual showcase of Visualization students’ work from the past year, including a gallery exhibition of physical works and a screening of time-based works.

Maroon graphic with the Texas A&M logo and the words "Texas A&M University College of Performance, Visualization, and Fine Arts"

As autonomous driving systems evolve, the shift from standard vision-language models to vision-language-action (VLA) architectures marks a critical milestone by integrating "action" as a core modality. However, despite their potential, current VLA models are heavily bottlenecked by their reliance on massive dataset collection and expensive, dense reasoning annotations. This talk explores this multimodal evolution and presents NoRD, a novel, data-efficient VLA model that achieves competitive end-to-end driving performance without relying on reasoning overhead.

A man is standing at a podium stand in a classroom, behind him is a projector with an image of the character Spiderman and the text: “Insomniac Games, Xray Halperin, Marvel’s Spider-Man 2: Ten Years of Procedural Content Creation at Insomniac Games Texas A&M Node and Code 2026"

The conference continues tomorrow with speaker presentations in the Liberal Arts and Arts & Humanities Building. 

Three people sit in a studio on short white stools. Behind them is a screen with an image of an F1 animated car.

The students were invited to present their works on March 19 in an event titled “Stories in the Age of AI” by Jinsil Hwaryoung Seo, Ph.D., associate dean for research and creative works and professor in the Visualization program.

Three profile photos in a row: Animator Clara Chan at an awards ceremony holding a trophy; director Boots Riley adjusting his collar; and a portrait of Brad Graeber in front of a yellow background.

Among the highlights in the three-day event are a free screening and Q&A with director Boots Riley on Friday; in-person and virtual appearances by former Visualization students Brad Graeber and Clara Chan on Saturday; and a screening of student films on Sunday.

A side by side photo of an animated character with a large braid on the top of her head, and on the right is a woman holding a trophy award.

Chan will make a virtual appearance at MSC Aggie Cinema’s Howdywood Film Festival on Saturday to discuss her career and her experiences in leading visual effects teams.