A colorful abstract landscape painting featuring rock formations, sweeping lines, and vibrant colors.

Professor Emeritus Dick Davison presents this exhibition of more than 30 paintings with three interwoven themes that have shaped his work over the past two decades: monuments and memorials that contend with time and human longing; visionary landscapes inspired by artists such as Charles Burchfield and Samuel Palmer, reflecting on nature as evidence of the divine; and Biblical narratives that point to enduring spiritual truths.

A portrait of a student in a graduation gown outside standing on a bridge, with trees and greenery behind her.

The Arlington native, who grew up in Granbury, is set to graduate Friday with a Bachelor of Science in Visualization.

A portrait of a woman in a graduation gown sitting outdoors near a building with large pillars.

Rollo received her undergraduate degree in Visualization in 2021. She is set to graduate Saturday with a Master of Fine Arts in Visualization.

A portrait of a student in a graduation gown sitting outside of a building with large column walls.

The Round Rock native is set to graduate Friday with a Bachelor of Science in Visualization.

A portrait of a student in a cap and gown sitting outside of a building with large column walls.

The Arlington native is set to graduate Saturday with a Master of Science in Visualization.

An auditorium of people watching a screen, with a projection of a dragon on it.

The student-run event featured an art exhibition, an interactive showcase, research symposium and a screening in the Rudder Complex.

A series of three images: On the left and right side are portrait photos of two university professors. In the center is floral artwork from an 18th-century French-Flemish manuscript.

Join Tianna Uchacz, Ph.D., assistant professor in Visualization, and Sophie Pitman, Ph.D., University of Wisconsin-Madison, in a discussion about their work with a curious 18th-century French-Flemish manuscript in UW-Madison’s Special Collections. The translation of the manuscript reveals instructions for how to dye textiles and paper to create artificial flowers.

This image shows four side-by-side sections: a historical garment with a dark blue vest and puffy sleeves, a virtual model wearing a similar outfit, a person weaving on a loom, and an assortment of dyed fabric swatches in various colors on a table.

This public presentation on the reconstruction of historical textiles and fashion by the Glasscock Center’s Visiting Fellow Dr. Sophie Pitman (UW-Madison) features the opportunity to try Renaissance fabric finishing techniques. The textile researcher will explain what we can learn from incorporating hands-on experimentation into our archival, literary and visual analysis. 

An illustration of a character with a helmet on and swinging from a vine holding a bag with papers flying out of it.

This student-run event is the 33rd-annual showcase of Visualization students’ work from the past year, including a gallery exhibition of physical works and a screening of time-based works.

An illustration of a character with a helmet on and swinging from a vine holding a bag with papers flying out of it.

This student-run event is the 33rd-annual showcase of Visualization students’ work from the past year, including a gallery exhibition of physical works and a screening of time-based works.