Invited films, from left: “Fly to You,” “Rain Fruits,” “Pasi” and “Redial.”<\/figcaption><\/figure>\n\n\n\nThe collaborators and curating committee were critical to the success of this event, Seo said, and she expressed gratitude for their efforts. <\/p>\n\n\n\n
As part of the festival, guests also participated in an interactive workshop in artificial intelligence and movement, where they used their bodies to create real-time imagery through AI. There was also a \u201cZen Listening Party\u201d for students to listen to relaxing music. Films for children were screened, along with interactive activities in the Igloo Studio.<\/p>\n\n\n\n
Seo said she is looking forward to \u201cseeing where these innovations take us next.\u201d<\/p>\n\n\n\n
\u201cHere’s to an even more extraordinary future for immersive experience,\u201d she said.<\/p>\n\n\n\n\u201cCoffin Room,\u201d created by Kay Kwan and Lam Nhi Le, won the narrative award.<\/figcaption><\/figure>\n\n\n\n360-Degree Film Winners<\/h2>\n\n\n\n Six films were recognized during the Field of View Festival.<\/strong><\/p>\n\n\n\nBest in narrative:<\/strong> \u201cCoffin Room,\u201d created by Kay Kwan and Lam Nhi Le.<\/p>\n\n\n\nBest in documentary:<\/strong> \u201cBehind the Dish,\u201d created by TARGO. <\/p>\n\n\n\nBest in experimental: <\/strong>\u201cDancing With Dead Animals,\u201d created by Maarten Isa\u00e4k de Heer. <\/p>\n\n\n\nBest in education and research:<\/strong> \u201cJFK Memento,\u201d created by Chlo\u00e9 Rochereuil and Victor Agulhon.<\/p>\n\n\n\nBest in screendance: <\/strong>\u201cVirtual Dance Exchange Project,\u201d created by Shana Simmons, Bianca Johnson, Chrisala Brown and Karen Alexander. <\/p>\n\n\n\nBest in student work: <\/strong>\u201cAfter Death,\u201d created by Isabel Moreno. <\/p>\n\n\n\n“After Death,” created by Isabel Moreno, won the student work award.<\/figcaption><\/figure>\n\n\n\nThe winning films were submitted by the artists and selected by the festival’s review committee. Other films that were selected to be shown during the festival:<\/p>\n\n\n\n
\u201cNEXT\u201d by Oury Jeremy; \u201cFalling\u201d by Sandrine Deumier; \u201cSWARM\u201d by Maarten Isa\u00e4k de Heer; \u201cThe Church of Infinite Returns\u201d by Takayuki Yoshikawa; \u201cParadox L\u201d by Luna Terasaka; \u201cHE VOID VR\u201d by Xiang Lin; \u201cReturn to Impression\u201d by Dora Filipovic; \u201cCoffin Room\u201d by Kay Kwan; \u201cQUESTIONING QATS – Ceci n’est pas un chat\u201d by Maria Korporal; \u201cGranville and Georgia: 150 Years in VR\u201d by Brian Walters.<\/p>\n\n\n\n
\u201cCreation\u201d by Mostafa Zabet; \u201cConvergence\u201d by Wessel Jurie Alberts; \u201cThe Arena\u201d by Cigdem Slankard; \u201c|inside|\u201d by Anna Thompson, Taylor Knight and Jose Muniain; \u201cEchoes of Vengeance\u201d by Sina Alidoust Salimi; \u201cAntepartum 360\u201d by Soo Wan Chun; \u201cLook Around\u201d by Angel Aparicio and Emmanuel Aparicio; and \u201cBehind \u2018The Trans List\u2019\u201d by Adrian Vasquez de Velasco.<\/p>\n\n\n\n
Nine films were invited to be showcased as part of the festival:<\/p>\n\n\n\n
\u201cOnce a Glacier\u201d by Jiabao Li; \u201cFresh Memories: The Look\u201d by Ond\u0159ej Moravec; \u201cPerinatal Dreaming\u201d by Marianne Wobcke, Volker Kuchelmeister, Jill Bennett, Lucia Barrera, Gail Kenning, Glenn Barry, Naomi Sunderland and Phil Graham; \u201cParragirls Past, Present\u201d by Volker Kuchelmeister, Lily Hibberd, Alex Davies, Jill Bennett, Bonney Djuric and Jenny McNally; \u201cLion King on Broadway by Disney via 360 film\u201d by Adrian Vasquez de Velasco; \u201cFly to you\u201d by Youngyun Song; \u201cRain Fruits\u201d by Youngyun Song; \u201cPasi\u201d by Eunsil Jung; and \u201cRedial\u201d by Minkyung Kim and Gaeun Kim.<\/p>\n\n\n\n
Overall, the festival featured outstanding artists and filmmakers, Seo said. Their contributions added \u201cimmense value and made the festival truly captivating,\u201d she said.<\/p>\n\n\n\n
\u201cThe festival committee extends its heartfelt gratitude for their involvement,\u201d Seo said, \u201cwhich enriched the experience for all attendees.\u201d<\/p>\n\n\n\n
Top photo: Invited films “Once a Glacier” (left), “Fresh Memories,” “Perinatal Dreaming” and “Parragilrs Past, Present.<\/strong>“<\/p>\n","protected":false},"excerpt":{"rendered":"The Institute for Applied Creativity recently showcased 360-degree films during its inaugural Field of View: 360 Video Festival. The festival featured 23 juried immersive films created with 360-degree video technology, along with nine invited films. The event was …<\/p>\n","protected":false},"author":2,"featured_media":24351,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[98,58,90],"tags":[],"acf":[],"yoast_head":"\n
360-Degree Films Honored During Inaugural Field Of View Festival - Texas A&M University College of Performance, Visualization & Fine Arts<\/title>\n \n \n \n \n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n \n \n \n \n \n\t \n\t \n\t \n