{"id":20421,"date":"2024-04-21T13:39:16","date_gmt":"2024-04-21T18:39:16","guid":{"rendered":"https:\/\/pvfa.tamu.edu\/?p=20421"},"modified":"2024-04-21T13:39:20","modified_gmt":"2024-04-21T18:39:20","slug":"lamentations-exhibition-by-lydia-bodnar-balahutrak-to-close-april-25-at-wright-gallery","status":"publish","type":"post","link":"https:\/\/pvfa.tamu.edu\/news\/2024\/04\/21\/lamentations-exhibition-by-lydia-bodnar-balahutrak-to-close-april-25-at-wright-gallery\/","title":{"rendered":"‘Lamentations’ Exhibition By Lydia Bodnar-Balahutrak To Close April 25 At Wright Gallery"},"content":{"rendered":"\n
Ukrainian-American artist Lydia Bodnar-Balahutrak<\/a>\u2019s works will be on display through April 25 at Wright Gallery<\/a> in the Langford Architecture Center, Building A.<\/p>\n\n\n\n Hosted by the Texas A&M School of Performance, Visualization and Fine Arts<\/a> and the School of Architecture<\/a>, the exhibition titled \u201cLamentations\u201d features work of mixed-media collages that address current events.<\/p>\n\n\n\n Bodnar-Balahutrak was born in Cleveland, Ohio, and is based in Houston. Her grandparents on both sides of her family are of Ukrainian descent, and she said they had a definitive impact on her formative years and on her art. Her art \u201cprobes cultural ties and collective memory, and explores defining moments in history and our place in it,” she said.<\/p>\n\n\n\n \u201cLike many others in the United States, I have grown up in two cultures,\u201d she said during her recent discussion at Wright Gallery. \u201cThe hereditary culture passed on and nurtured by my displaced, post-World War II refugee family from Ukraine; and the culture of the United States, which is the country I was born in and raised and continue to live and work.\u201d<\/p>\n\n\n\n Bodnar-Balahutrak said her family was an early subject of her drawings and paintings. After her first trip to Ukraine in 1991, she said it was a pitvotal moment.<\/p>\n\n\n\n \u201cThis trip opened my eyes and soul to a long-suffering yet hopeful people, to a land beautiful but ravaged by the Soviet system,\u201d she said. \u201cAnd it was a turning point in my work and my worldview.\u201d<\/p>\n\n\n\n Bodnar-Balahutrak was also a Fulbright U.S. Scholar fellow in Poland in 2022-23, and said she \u201cexperienced the horrors of war through the eyes of Ukrainian refugees there.\u201d<\/p>\n\n\n\n \u201cLamentations\u201d showcases collages of print media documenting cultural, social and political issues including Russia\u2019s invasion of Ukraine and the COVID-19 pandemic. Drawn on top of each piece are depictions of nature and words of poetry that were inspired by her 1995 trip to the Chernobyl exclusion zone.<\/p>\n\n\n\n The work begins by collecting news articles and cultural artifacts that address historic current events, she said. She arranges them in a \u201cself-perpetuating dialogue,\u201d and then collages them on canvas or paper, she said.<\/p>\n\n\n\n \u201cImagery evolves by adding and subtracting elements of found text, and by painting and drawing, combining oil, charcoal, chalks and wax,\u201d she said. \u201cAt the same time, I am examining the nature of print media, how information is revealed and what is concealed. I see how narratives can be created, implied, hidden, disguised.\u201d<\/p>\n\n\n\n