{"id":18001,"date":"2023-11-02T16:04:40","date_gmt":"2023-11-02T21:04:40","guid":{"rendered":"https:\/\/pvfa.tamu.edu\/?p=18001"},"modified":"2023-11-02T16:05:27","modified_gmt":"2023-11-02T21:05:27","slug":"yoko-hiraoka-to-share-storytelling-through-music-in-free-japanese-ghost-tales-concert","status":"publish","type":"post","link":"https:\/\/pvfa.tamu.edu\/news\/2023\/11\/02\/yoko-hiraoka-to-share-storytelling-through-music-in-free-japanese-ghost-tales-concert\/","title":{"rendered":"Yoko Hiraoka To Share Storytelling Through Music In Free ‘Japanese Ghost Tales’ Concert"},"content":{"rendered":"\n
Traditional Japanese artist Yoko Hiraoka<\/a> will be the featured performer during a free concert titled \u201cJapanese Ghost Tales\u201d on Nov. 9 at 7 p.m. at the Black Box Theater in the Liberal Arts and Arts and Humanities building.<\/p>\n\n\n\n Hiraoka will perform two works through narration as she plays a five-stringed lute known as the chikuzen-biwa, a traditional Japanese instrument.<\/p>\n\n\n\n Dr. Martin Regan, professor in the Performance Studies program, said Hiraoka is a master performer of the three major Japanese instruments \u2014 biwa, koto and shamisen \u2014 and is one of the few who can play all three.<\/p>\n\n\n\n \u201cThe biwa we see today can be traced back more clearly from Japan\u2019s medieval period when it was used by wandering minstrels known as biwa h\u014dshi, or lute priests,\u201d he said. \u201cThey were blind, and traveled around Japan playing the biwa and telling stories or narrative tales. The biwa has a long history of providing accompaniment for narrative.\u201d<\/p>\n\n\n\n A native of Kyoto, Japan, Hiraoka has a career that spans three decades. She is now based in Louisville, Colorado. Her repertoire includes contemporary compositions by Japanese and American composers as well as classical Japanese music, he said. <\/p>\n\n\n\n Hiraoka said she first heard a biwa through television and radio, but decided to study the Japanese zither, known as the koto, first.<\/p>\n\n\n\n \u201cMy teacher was very old school,\u201d Hiraoka recalled. \u201cShe was teaching everything in a traditional way, and as I was getting better with koto, she said I needed to study shamisen. Meanwhile, I had the chance to hear the sound of biwa and I loved the tone. I had to ask around for a biwa teacher, and I heard of one near Kyoto. Once I found her, I started to learn.\u201d<\/p>\n\n\n\n Hiraoka moved to the United States in 1993 and has performed on studio recordings and in festivals and concerts. She has also been the beneficiary of funding and support from the consulate general of Japan and various American and Japanese societies around the U.S.<\/p>\n\n\n\n She will perform two traditional Japanese works during her campus concert: \u201cYugao: Tale of Genji\u201d and \u201cThe Demon of Adachigahara.\u201d The narration that Hiraoka will offer in the performance is somewhere between speaking and singing, bordering on chanting, Regan said.<\/p>\n\n\n\n \u201cThis technique, known as heightened speech, is used in many genres of traditional Japanese music,\u201d he said. \u201cIt\u2019s not similar \u2014 biwa h\u014dshi \u2014 to singing styles found in opera or popular music. It is a declarative type of singing style.\u201d<\/p>\n\n\n\n The concert will also include a lecture and history of the biwa <\/strong>as a storytelling modality, he said. The first performance, \u201cYugao: Tale of Genji,\u201d<\/a> based on a text by Murasaki Shikibu in the 11th century, covers the \u201cpleasures of court life and the passionate romantic entanglements of the shining Prince Genji,\u201d Regan said.<\/p>\n\n\n\n The tale starts on an evening where Yugao agrees to meet Genji in person and travel to a rural palace after consummating their love, he said. Yugao dies tragically after being killed by a jealous spirit of Genji\u2019s high-ranking former mistress, Lady Rokuj\u014d, he said.<\/p>\n\n\n\n Prince Genji is in agony and sickness for 20 days after her death, and learns that Yugao was the mistress of his brother-in-law. Genji also learns that Yugao left courtly life to run away from the jealousy of her lover\u2019s wife, Regan said.<\/p>\n\n\n\n