2022\u2019s PERF 481 capstone class presented eleven projects, ranging from installations to films, papers, performances, lectures, and workshops that focused on identities, cultures, art, and the impact that internal and external factors have on our lives.<\/p>\n\n\n\n
Two installations elicited nostalgia in their viewers through physical objects and settings: Joshua Carley\u2019s Dear Genius <\/em>was a walk-through experience centered around the work of children\u2019s book editor, Ursula Nordstrom. Grace Harmon\u2019s Wrong Generation<\/em> transformed a small classroom space into a 1970s living room designed to both comfort and intrigue.<\/p>\n\n\n\n Riley Cameron created an education and outreach tool through the abstract film, \u201cUntitled,\u201d which leveraged layered visuals, quick cuts, and disjointed audio to recreate a feeling of dissociation. Ben Douglas presented a short film, \u201cThe Inner Workings of Ordering a Latte while Neurodivergent.\u201d<\/p>\n\n\n\n Two projects used ethnographic observations to guide their content. \u201cCushion,\u201d a film by Hannah Bryant and Harrison Daniels, was inspired by the awkward jump from friendship to romance. Alex Cordova designed and led a tabletop roleplaying game that became \u201cVlei Leer: A Real Play Podcast of a D&D Game by and about Texas A&M Students.\u201d<\/p>\n\n\n\n Phelan Duplessis\u2019 lecture \u201cPlaying the Score: A Ludomusicological Analysis of Video Games\u201d took a player-first approach to explore the effects music has on the gaming experience. Andy Carter investigated the efficacy of punk music as a political statement in his lecture, \u201cThe Politics of Punk: A Case Study of Two Bands.\u201d<\/p>\n\n\n\n Workshops invited attendees to participate by, first, designing a lighting scheme in Elena Krawczyk\u2019s \u201cLearning Lights: A Lecture and Workshop on Stage Lighting,\u201d and then enacting critical adaptations in Andrea \u201cAngie\u201d Moore\u2019s \u201c(Un)Creating Successful Stories: An Improvisational Devising Workshop.\u201d<\/p>\n\n\n\n \u201cTo the Moon and Back: A Theatrical Conversation with Georges M\u00e9li\u00e8s\u2019 \u2018Le Voyage dans la Lune\u2019\u201d by Olivia Parker was a devised performance exploring gender, race, colonialism, and identity in conversation with the early film, \u201cA Trip to the Moon\u201d (1902).<\/p>\n\n\n\n Having completed their Performance Studies major, the graduating seniors hope to continue following their dreams by working in graphic design, publishing, and at museums; becoming educators, recording technicians, and children\u2019s theatre directors; and attending graduate school for Library Science, Acting, Contemporary Performance, Public Management and other fields.<\/p>\n","protected":false},"excerpt":{"rendered":" 2022\u2019s PERF 481 capstone class presented eleven projects that focused on identities, cultures, art, and the impact that internal and external factors have on our lives.<\/p>\n","protected":false},"author":30,"featured_media":13559,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[59,62,144],"tags":[],"acf":[],"yoast_head":"\n