{"id":90,"date":"2023-07-19T10:30:57","date_gmt":"2023-07-19T15:30:57","guid":{"rendered":"https:\/\/pvfa.tamu.edu\/hopelife\/?page_id=90"},"modified":"2023-08-27T16:24:53","modified_gmt":"2023-08-27T21:24:53","slug":"program-information","status":"publish","type":"page","link":"https:\/\/pvfa.tamu.edu\/hopelife\/performance\/program-information\/","title":{"rendered":"Program Information"},"content":{"rendered":"\n

But Where There\u2019s Hope, There\u2019s Life<\/h2>\n\n\n\n

A Collaborative Project by the Texas A&M Dance, Performance Studies, and Visualization programs and the Department of History<\/p>\n\n\n\n

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Dance<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Choreographers<\/strong>:<\/strong> Carisa Armstrong and Christine S. Bergeron<\/p>\n\n\n\n

Costumes:<\/strong> Carisa Amstrong and Sandy Bergeron<\/p>\n\n\n\n

Dancers:<\/strong>  Live dancers will be posted at each performance. The dancers listed below are the casts from the filming completed in August 2020.<\/p>\n\n\n\n

Music<\/strong>: Composed, performed, and recorded by Richard D. Hall. Featuring Julia Hall (voice), Ashley DuBois (voice), Makenzie Wade (viola), and Elizabeth L. Massad (cello). Mixed and mastered by Wesley S. Uchiyama-Penix.<\/p>\n\n\n\n

Butterfly Credit Video<\/strong>: Krissie Day (editor)<\/p>\n\n\n\n

<\/div>\n\n\n\n

Visualization<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Director of Visualization Team<\/strong>: Jinsil Hwaryoung Seo<\/p>\n\n\n\n

Visualization Design, The Rise and Liberation Projection<\/strong>:  Eman Al-Zubeidi and Julia DeLaney<\/p>\n\n\n\n

Visualization Team<\/strong>: Amanda Blettner, Connor Bugni, Esther Cho, Morgan Jenks, Caleb Kicklighter, Carlos Perez, and Araceli Reyes<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n

Actors<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Dramaturgy:<\/strong> James R. Ball, III<\/p>\n\n\n\n

Historical Scenes Director<\/strong>: Anne Quackenbush<\/p>\n\n\n\n

Audio Engineer<\/strong>: John Moeller<\/p>\n\n\n\n

Historical Text<\/strong>: Adam Siepp<\/p>\n\n\n\n

Actors:<\/strong> <\/p>\n\n\n\n

Shayna Ambers \u2013 Narrator<\/em><\/p>\n\n\n\n

Ty Dobson \u2013 SA Man, A Man, Rudolph Vrba, Morris Baker<\/em><\/p>\n\n\n\n

Caylie Evans \u2013 Louisa Solmitz<\/em><\/p>\n\n\n\n

Grace Harmon \u2013 Guide<\/em><\/p>\n\n\n\n

Chandler Keller \u2013 Victor Klemperer, Alfred Wetzler, Edward R. Murrow<\/em><\/p>\n\n\n\n

Megan Timmer \u2013 A Child, A Woman, Whisperer<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n

Film<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Video Director\/Editor<\/strong>: Vishwanand Shetti<\/p>\n\n\n\n

Director of Photography<\/strong>: Igor Kraguljac<\/p>\n\n\n\n

Video Assistants<\/strong>: David Lackey and Christian Rousseau<\/p>\n\n\n\n

Lighting Design<\/strong>: Owen Smith<\/p>\n\n\n\n

Prop\/Set Design<\/strong>: Alicia Sparks<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n

Production Team<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Associate Production Manager<\/strong>: Brooke Griffin<\/p>\n\n\n\n

Assistant Production Manager<\/strong>: Taegan Besancon<\/p>\n\n\n\n

Stage Manager<\/strong>: Krissie Day<\/p>\n\n\n\n

Lighting Designer<\/strong>: Owen Smith<\/p>\n\n\n\n

<\/div>\n\n\n\n

Special Thanks<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Special thanks to all dancers and crew who have been a part of this project from the beginning to now. The piece wouldn\u2019t be possible without all of your hard work and dedication. <\/p>\n\n\n\n

Past dancers: Andrea Alvarez, Sarah Babick, Julianna Barraza, Chloe Bergeron, Karissa Blau, Emily Bowlin, Myah Brown, Grace Bulkeley, Kylie Callaway, Kelsey Clark, Ella Cox, Abigail Dang, Asma Maria El-Tayssoun, Madeleine Dardeau, Terra Fiedler, Olivia Gerwig, Moira Greff, Callysta Hall, Hannah Hanz, Mary Emily Holland, Jade Jarnigan, Anna Jones, Madelyn Klumb, Caroline Knowlton, Mindy Lee, Victoria Mauer, Brianna Mendoza, Eliza Milner, Mya Pepito, Annie Rabel, Adia Richardson, Betsi Cate Riddle, Brannon Russell, Danielle Schaer, Katie Traylor, Josie Watts, Kailyn Williams, Laural Williams<\/p>\n<\/div>\n\n\n\n

\n
\"The
The Rise<\/em><\/strong>
Dancer: Myah Brown
Music: Historic Audio Archives (edited by Adia Richardson)<\/figcaption><\/figure>\n\n\n\n
\"The
At Home<\/em><\/strong>
Dancers: Sarah Babick, Emily Bowlin, Grace Bulkeley, and Myah Pepito<\/figcaption><\/figure>\n\n\n\n
\"Stay
Stay Out of Sight<\/em><\/strong>
Dancers: Adia Richardson and Katie Traylor<\/figcaption><\/figure>\n\n\n\n
\"Unseen\"
Unseen Solitude<\/em><\/strong>
Dancer: Ella Cox<\/figcaption><\/figure>\n\n\n\n
\"Ghetto\"
Ghetto<\/em><\/strong>
Dancers: Sarah Babick, Chloe Bergeron, Emily Bowlin, Myah Brown, Grace Bulkeley, Kylie Callaway, Ella Cox, Madeleine Dardeau, Hannah Hanz, Mary Emily Holland, Anna Jones, Madelyn Klumb, Mya Pepito, Adia Richardson, Danielle Schraer and Katie Traylor
*Filmed January 2020<\/em><\/figcaption><\/figure>\n\n\n\n
\"Transport\"
Transport<\/em><\/strong>
Dancers:  Sarah Babick, Emily Bowlin, Grace Bulkeley, Ella Cox, Brianna Mendoza, Mya Pepito, Adia Richardson, Betsi Cate Riddle, and Katie Traylor<\/figcaption><\/figure>\n\n\n\n
\"Todesmarche\"
Todesm\u00e4rche<\/em><\/strong>
Dancers: Sarah Babick, Julianna Barraza, Grace Bulkeley, Caroline Knowlton, Brianna Mendoza, Eliza Milner, Mya Pepito, and Kailyn Williams<\/figcaption><\/figure>\n\n\n\n
\"When
When All is Lost<\/em><\/strong>
Dancer: Julianna Barraza<\/figcaption><\/figure>\n\n\n\n
\"Liberation\"
Liberation<\/em><\/strong>
Dancers: Julianna Barraza, Emily Bowlin, Ella Cox, Caroline Knowlton, Victoria Mauer, Eliza Milner, Adia Richardson, Katie Traylor, and Kailyn Williams<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

But Where There\u2019s Hope, There\u2019s Life A Collaborative Project by the Texas A&M Dance, Performance Studies, and Visualization programs and the Department of History Dance Choreographers: Carisa Armstrong and Christine S. Bergeron Costumes: Carisa Amstrong and Sandy Bergeron Dancers:  Live …<\/p>\n","protected":false},"author":271,"featured_media":88,"parent":86,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_links_to":"","_links_to_target":""},"acf":[],"_links":{"self":[{"href":"https:\/\/pvfa.tamu.edu\/hopelife\/wp-json\/wp\/v2\/pages\/90"}],"collection":[{"href":"https:\/\/pvfa.tamu.edu\/hopelife\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pvfa.tamu.edu\/hopelife\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pvfa.tamu.edu\/hopelife\/wp-json\/wp\/v2\/users\/271"}],"replies":[{"embeddable":true,"href":"https:\/\/pvfa.tamu.edu\/hopelife\/wp-json\/wp\/v2\/comments?post=90"}],"version-history":[{"count":10,"href":"https:\/\/pvfa.tamu.edu\/hopelife\/wp-json\/wp\/v2\/pages\/90\/revisions"}],"predecessor-version":[{"id":372,"href":"https:\/\/pvfa.tamu.edu\/hopelife\/wp-json\/wp\/v2\/pages\/90\/revisions\/372"}],"up":[{"embeddable":true,"href":"https:\/\/pvfa.tamu.edu\/hopelife\/wp-json\/wp\/v2\/pages\/86"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pvfa.tamu.edu\/hopelife\/wp-json\/wp\/v2\/media\/88"}],"wp:attachment":[{"href":"https:\/\/pvfa.tamu.edu\/hopelife\/wp-json\/wp\/v2\/media?parent=90"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}